I had a blast this past weekend, teaching at Vogue Knitting Live in NYC for the fourth (or is it the fifth?) year. The classes were great and I loved meeting some of the students who knew me from Craftsy.
Once again, I spent some time cruising through the market place, resisting temptation as best I could. As always, however, I found some things that I just couldn’t resist.
First, I bought one of the yarn dispensers from Yarn Valet when I saw how perfectly it holds a wound ball or skein of yarn – and turns as the yarn is pulled from the outside of the ball. For a mere $16, how could I resist!
A little further on, I ran into Dan Tracy Designs and found a beautifully made wooden version of a similar holder……what is a girl to do?! I wandered around the show for a few more aisles and then I wound my way back to Dan’s booth to buy myself a birthday present. After all, wood feels and looks so nice and these ball (or cone) holders are mounted on ball bearings so they turn so beautifully and with tax, it only set me back about $54. Happy birthday to me!
Don’t get me wrong – there was a LOT OF YARN to look at and I did buy some silk wrapped paper yarn from Habu that I will show you once I knit with it. I’m just a sucker for great tools and stuff.
I didn’t buy any slipper soles from Joe’s Toes because I wasn’t sure what size I needed for some grandson feet, but once I knit their next round of slippers, I know where to go for nice thick felted innersoles and non-skid outer soles.
Somehow, sharing this info with you helps me justify my purchases. Heck, a girl can’t just teach, race to the train and head home – she’s got to indulge once in a while. Right?
I’m really excited to share this sweater pattern with you! It is one of the garments I have been working on as I sample and knit my way through the content for my fourth machine knitting book: Hand-Manipulated Stitches: Eyelets, Ladders and Slits (Exploring Open Spaces). I’m aiming for a release this spring, but life always gets in the way so I won’t make any guarantees quite yet. You’ll be among the first to know once I set a date! I hope the scale of this pattern gives you an idea what I am up to with this new book – the open spaces I am working with are contemporary and bold – not prissy grandma lace! (No offense intended to grandma or anyone who has a grandma. Heck – I AM a grandma!)
The full, detailed pattern for this green merino wool sweater is on my web site with all the other free downloads so I won’t include the chart or other particulars here on the blog. However, because the transfers I used for this stitch pattern are a little unusual, I thought the video would be helpful.
In the video I use a handy needle Magic Needle Selector Wand for the SK 860 (mid gauge – 6.5mm) from Knitting Any Way. They are available for machines with 6.5, 7 and 8 mm needle spacing and only cost $34. There used to be a great adjustable needle selector available for Passap with 5 mm spacing but I’m afraid I don’t know of one for Japanese standard (4.5mm) or bulky (9mm) spacing. If anyone out there does, please let me know! I’ve seen people make needle pushers out of heavy cardboard for special projects and I’m tempted to think this is something that could easily be 3-D printed…….
My pattern is written for a luscious merino wool from Silk City that I started out using right off the cone on the standard gauge machine and, although the swatch was gorgeous, I realized it would take forever to finish a whole sweater. So – I used the yarn doubled on the SK-860.It would be great for the LK-150 as well. You can adapt this stitch design to any yarn on any machine as long as you do a gauge swatch first. There is just no escaping those gauge swatches!
The transfers I used for this design are triple transfers where 3 stitches are transferred from the left and 3 from the right onto the same three center needles – each of those needles end up holding 3 stitches. The tension on the transferred stitches is what forces the “nops” to pop out on the knit side of the fabric. The eyelets are 3-stitch eyelets so the whole scale of this lace is way beyond more common lace stitches!
Because the stitch chart shows the repeats centered from zero on the bed, you can just repeat the transfers all the way to the edges of the fabric, which makes it pretty straightforward to keep track of the placement and easy to use this pattern on any number of stitches. Just remember that you need to make either a whole or an exact half transfer and may have a number of plain stitches at the edges for lack of a enough stitches for a repeat. You’ll see what I mean once you start to swatch and try the technique.
In order to keep track of this pattern so that the eyelets formed their neat little zig-zag in the background, I made a chart that listed row numbers and indicated which transfers to make when. I checked the chart every time I picked up my 3-prong transfer tool because it took a whole lot less time to do that than it would to rip out an entire row of incorrect transfers!
I hope you like this pattern and that I have whetted your appetite for the new book!
Last week I got an email from Maria Anna Youngs, who I met when I taught at a seminar in Minnesota this past summer. She took my entrelac class and was evidently bitten by the entrelac bug because she has been knitting lots of pairs of these fingerless mitts for holiday gifting. She said she got the original idea from Eileen Montgomery and used my excellent entrelac directions for the execution. Wouldn’t these look great over a pair of plain mittens or gloves for extra warmth and pizzaz?!
Maria Anna said that she worked with sock yarn on a standard gauge machine (stitch size 7) and that the base row for each mitt is 4 triangles wide, with 10 stitches in each triangle. Most were worked 7 sections high (including beginning and ending triangles), but she suggested working a couple more sections for a longer cuff. The mitts are seamed along the side, leaving an opening for the thumb. Most of them measured 6.5-7″ wide and 5.5-6″ long. What a great way to use up small amounts of beautiful yarns!
I also got an email from Lynn Jones with photos of the shawl collared sweater she did on her Brother 260 (bulky) with Premier Yarn’s “Puzzle”. She finished the front edges with an I-cord trim and also worked a modified drop shoulder to reduce armhole bulk. I think she did a gorgeous job!
There are still a couple of openings in my classes at VKL in NYC next month (January already!) I’ll be doing one session with highlights from the book I am still working on about open spaces.
Last, but not least, I want to thank all of you who have enrolled in my Craftsy classes! The first class, which launched just a little over a year ago, now has over 5,000 students and the other two classes are doing really well. Thank you for your confidence in me and your continued support! Remember, there are always discount coupons available on my web site .
Many of us here in the US have just put away all the dishes and the extra leaves for the dining room table now that Thanksgiving is behind us. I think I have had more than enough turkey to last me for a while! Thanksgiving is always a time for families – and ushers in the beginning of winter and the holiday season. I’m looking forward to less time in the garden, a lighter teaching load and more time here in the studio working on the book that will ultimately be titled something like: Hand-Manipulated Stitches: Eyelets, Ladders and Slits, (with a subtitle) Exploring Open Spaces.
I always have a tendency to get a little overly-absorbed in the projects at hand and I have found myself really enjoying the fabrics and techniques I am working on for this book. Right now I have taken a break from all the sampling and swatches to work on a gorgeous all-over 3-stitch eyelet pattern and once that sweater is done, I will post the pattern on the web site and let you know here on the blog.
In the meantime, I just posted the pattern for the Swirling Eyelets Sweater I did a year ago. The pattern first appeared in Machine Knitting Monthly Magazine, but some of you may not subscribe (shame!) so I decided it was time to make the pattern available on my web site. Just go to the page called “Free Stuff” and you will see it at the top of the list. The model is my lovely friend, Anne.
The pattern features huge 3-stitch eyelets and godets that add fullness and drape at the sides. The sleeves are knitted down after picking up the armhole edge. Open spaces are all the rage in ready-to-wear right now and this sweater is easy enough for a beginner.
My sweater was knitted with some gorgeous worsted weight linen that I bought from Silk City. It has fabulous weight and drape. However, the yarn may no longer be available and, if it is, it was tough to knit with. Linen has no give at all and even on the bulky machine it was heavy, arm-muscle -building work! The concept and design will work in any weight yarn on any machine so be good to yourself and pick a nice stretchy wool or blend. I hope you like it!
My third Craftsy class, Machine Knitting: Hand-Manipulated Stitches, has launched and I really hope you will all be as pleased with it as I am! Although the title of the class is similar to the title of my first book and the companion video, be assured that this is an entirely new class!
Use this link to bring you to the class on the Craftsy site and, when you check out, use this code (over on the right side) for 50% off: b93ebedf-370b-498d-9cf0-4.(Limit one per customer. Cannot be combined with any other offers). This code will expire in mid-January so check my web site for a new code after that date.
Once again, we used the LK-150 for this class because it is really the lowest common denominator for the greatest number of machines. There are just so many new knitters out there with no place to go for help that we have decided to focus on them. The experts and old hands are usually not quite as hungry for instruction, but I hope that even some of them find the material in this new class interesting and challenging!
The class is divided into six lessons that cover cables, short row intarsia, Bridging, re-hung stitches, traveling and twisted stitches and some open spaces (the topic of the book I am still working away on!). The class materials include all of the charts and instructions for the samples I work on screen and, once again, the camera work is incredible!
During the filming of the class, my producer decided to play “20 Questions” with me so that my students could begin to get to know me a bit. I hope you enjoy this clip!