This blog is the last follow-up to the posts about popcorns, incorporating short rows into the bridging to build raised textures. You’ll notice that I didn’t even bother to wrap most of the rows as I short rowed the examples in this video, but let me caution you that this may be influenced positively or negatively by the yarn you choose to knit fabrics like these. I tend to work with a lot of 100% wool, which “blooms” or fills out the stitches when the finished fabric is washed. You may find that a non-blooming yarn like 100% acrylic does not fill out the stitches as cleanly and would require more wrapping to produce a finished looking fabric. As always, sample, sample, sample!
The “seashell nops” are shown on page 41 of More Hand-Manipulated Stitches and the raised ruffle, which is a variation of the nops, is featured on page 42. There are two main differences between these fabrics: First of all, the nops were worked with 4 rows between repeats, while the ruffle includes only 2 plain rows between repeats. Also, the nops were completed by picking up a stitch from the first row and hanging it on the needle above to prevent the openings from gaping; There are no lifted stitches in the ruffled fabric. Both fabrics alternate repeats from the left and right.
The triangular nops (page 47 of MHMS) and the stegosaurus cables (page 48 MHMS) are first cousins. Both are short rowed as if to create tiny sock heels but the nops are completed by lifting the first row and hanging the stitches on the needles above, while the stegosaurus cable is completed by crossing a 3 x 3 cable. The way the cables sit on the surface of the fabric varies depending on which way the cables are crossed. If the cables always cross to the right (or left), all of the raised bumps will slant the same way. If you alternate the direction of the crossing each time, the texture will alternate right and left. You could probably add further variations by working some plain rows across all the needles before crossing the cable or by working more complex cable crossings.
There are endless possibilities for creating short rowed textures within bridged fabrics and there are a number of them in MHMS and in Open Spaces, but there are still lots of discoveries waiting to be made by knitters who wonder “what would happen if I ……..”